Angela Ndalianis and Suzanne Buchan

Editorial
Animation 2009 4: 231-235. [PDF] [Request Permission]  

Angela Ndalianis

The Frenzy of the Visible in Comic Book Worlds
Animation 2009 4: 237-248. [Abstract] [PDF] [References] [Request Permission]  

Martyn Pedler

The Fastest Man Alive: Stasis and Speed in Contemporary Superhero Comics
Animation 2009 4: 249-263. [Abstract] [PDF] [References] [Request Permission]  

Paul Atkinson

Movements within Movements: Following the Line in Animation and Comic Books
Animation 2009 4: 265-281. [Abstract] [PDF] [References] [Request Permission]  

Clare Pitkethly

Derrida, Deleuze and a Duck: The Movement of the Circulating Differential in Comic Book Analysis
Animation 2009 4: 283-302. [Abstract] [PDF] [References] [Request Permission]  

Dryden Goodwins and Barnaby Dicker

Dryden Goodwin in Conversation with Barnaby Dicker
Animation 2009 4: 303-320. [Abstract] [PDF] [References] [Request Permission]  

Marcy Goldberg

Reviews: Barbara Flückiger, Visual Effects: Filmbilder aus dem Computer (German language). Marburg: Schüren Verlag, 2008. 528 pp., 399 illus. (mainly colour) ISBN 978—3—89472—518—1 (pbk)
Animation 2009 4: 321-326. [PDF] [References] [Request Permission]  

Nick Lambert

Review: Catherine Mason, A Computer in the Art Room: The Origins of British Computer Arts 1950—1980. London: Quiller Press, 2008. 250 pp. ISBN 1899163891
Animation 2009 4: 326-331. [PDF] [References] [Request Permission]  

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